Kunstenaars Lony Wing Master Painter Bassermann  Gudrun Hahn  Friedemann Izaks Wim Llimos  Robert ** Etiernne Abeling Johan Alber V. Alms *. Ammerlaan Corry Andrea Pat Angelo Ballarin Appel Karel Arcimowicz Anna Armando * Armengol Emilio Banksy Graffiti/Street Art Bayer Herbert Bechtold Jeroen Belinfante Willy Beneny Tay Berg van den Siep Bernhard Vercruyce Bezombes Roger Bill Max Blankwaard Coen Bonaert J. Bonies Bob Boonstra (Trimbach) Anneke Bosman A.. Bout Rien Braat Pauline Brayer Yves Brood Herman Brouwer  A. # Buchholz Wolff Bucki Krystof Calder  Alexander Casamada Alberto Rafols Chagall Marc Challenger Micheal Chillida Eduardo Christo **** Christoforou John Claisse Geneviève Codron Jef Corneille Cobra Cremer Jan Dali Salvador DEATH NYC Graffiti/Street Art* Dijkers Ruud Dijkshoorn Peter Dijkstra Johan Dongen Kees van Doorn Jos van Dore ### Dreumel Jo van Dubbelman Maarten Dubuffet ## E.B. van Dulmen Krumpelman Efferen H. van Elst van der  Femmeke Engelman Martin Eversen Na Ex Libris Michael Jepkes Fairchild-Woodard Roy Fernand Jean Fernando Botero Ficner Stefan Flieger J. Fontein Jurjen Fort Ella Fred ** Frese Job Fuchs Ernst Furtsten Dieter Gauzyna Imela Gerritz Harrie Gieryszewski Ryszard Gijzen M. Giros Albert Godelieve  # Gruker x Gräsel Friedrich Gubbels Klaas Guinovart Josep Haas Frans de Haas Willibrord Hagen Espen Greger Hahn Bernd Hanneke # Hardy C.* Hartog Gertruud Hassel Ad van Hemsteede Bert Heyboer Anton Hiethaar Dorian Hoffmann Heinz Hofker Willem Gerard Honegger Gottfried Houps Bert Houwalt Barbara Innemée Hans Irizarry Marcos Irriguible Leo J.K. *** Jacquet Alain Jandova Ludrila Jansen Han Janssen Horst Jong de Ali Jongh Oene Romkes de Kalkowski Kazimierz Kissmer  Willi Klasen Peter Kleijwegt Pot R.W. Kok Simon Kokoschka  Oskar Konorska Anna Kooning Willem Koornstra Metten Kooten jr L.W. van Kop Ad van den Kostabi Mark Kostabi Paul Krake Willy Kreiter A. Kremer Eric Jan Krijger F. Kruider J.* König Rolf Laanstra B. Lammers Jean Olof Larsen Pat Lauro Roberto Leest van  Astrid Lichtenstein Roy Liégeois Jo Linnenkohl  A. & Livio Campanella Lodewijckx  François Lucassen Bertus Lys I Manart Leila Manen van  Jopie Manzano Acisclo Marsman Jean-Paul Mather A. Matinick Krystyna Matisse Henri Mehner Volker Middleton Sam Mikkers Jan Miro Joan Moes Tilly Mol Jochem Mondriaan Piet Morandini  Marcello Mulder H.* Mush Leo Nederlands  Keramiek Nicola de Maria Niebla Josep Nieboer Tidde H. Nitsch Hermann Nobbe Walter Ofkes F. Onbekende  Kunstenaar Owendonk M W Peeters Antoinette Peeters* Goedele Picasso Pablo Plewka-Schmidt Urszula Poeder Henk Pol S. van der Pol v.d. Lucas Ponc Joan Pools Grafiek Pools  Keramiek Puiggrós  Pere Ramaer Hanny Ravan Pari Remé Jorg Renoux Alain Rienks D. Rijke John de Ritchman Pablo* Rizzi James Robbe B. Roche  ***** Rogers Richard Rooymans Ron Ruoal Ubac Russische  Icoon Ryblinski J. Saint Phalle Niki de Salome Dick Schasfoort Ben Schildkamp-Peterse C. Schimpfosll Lorenz Schlote Wilhelm Scholten Luuk Schulz-Rumpold Volkmar Seyfert Joan Sheppard Fairey Sierhuis Jan Siks Ger Solombre Jean Spencer Spencer Steen Jan Stoel  Edith Stolk Joop Tangel Louis Tapies Antoni Taranczcwski P. Terwindt Robert Tessenow Anna Tigchelaar André Toebosch Eric Tol Koos van Toorop Jan* Tores  Tores Toscani Beb Tramecourt de Daniel Jerzy Troost J.A. Tsucay  N. Tur Costa Rafael Udo  Nils Uhlig Max Urselmann Ellen Vaart . vanHorck Hans Varat D. Verboven Wim Verdoes Mark Verheul Tibe Verhoeven Bernard Verhoog Aat Verhorck  Hans Vigud André Visser Carel Vliet Yvonne van der Voet Wilfred Vredegoor Hans Vrielink Nico Waart Angelien de Wachtmeester Gerrie Warhol Andy Warmt  Falko Wiegers Jan Wierik Jan te Wilde Joop de Wildevuur Maya Winkel Arien Witjens J.W.H. (Willem) Wittek A.M. Wolvecamp Theo Yokoi Tomoe Zandee M. Zijlstra Karel Zonneveld Hermanus J. van Zwaagstra Wladimir

Zoek filters

    Geen schilderijen beschikbaar.

Zoek filters

    Geen aquarel/tekeningen beschikbaar.

Zoek filters

    Geen sculpturen beschikbaar.

Zoek filters

  • r_463.jpg
    € 145,00

Biografie

r_42download.jpg
 


 

Early life and education

Bill was born in Winterthur. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich.

Work

 
Building Ulm HfG, photography by Hans G. Conrad.
 
Junghans clock, design by Max Bill
 
Pavillon-Skulptur (1983), Zürich, by Max Bill

Art and design[edit]

After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg.[1] From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists

Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work.[3] His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions.[4] Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element, a speaker's desk, a tablet or a side table. Although the stool was a creation of Bill and Ulm school designer Hans Gugelot, it is often called "Bill Hocker" because the first sketch on a cocktail napkin was Bill's work.

As a designer and artist, Bill sought to create forms which visually represent the New Physics of the early 20th century. He sought to create objects so that the new science of form could be understood by the senses: that is as aconcrete art. Thus Bill is not a rationalist – as is typically thought – but rather a phenomenologist. One who understands embodiment as the ultimate expression of a concrete art. In this way he is not so much extending as re-interpreting Bauhaus theory. Yet curiously Bill's critical interpreters have not really grasped this fundamental issue He made spare geometric paintings and spherical sculptures, some based on the Möbius strip, in stone, wood, metal and plaster.s architectural work included an office building in Germany, a radio studio in Zurich, and a bridge in eastern Switzerland.

He continued to produce architectural designs, such as those for a museum of contemporary art (1981) in Florence and for the Bauhaus Archive (1987) in Berlin. In 1982 he also entered a competition for an addition to the Neue Nationalgalerie in Berlin, built to a design by Mies van der Rohe.[1] Pavillon-Skulptur (1979–83), a large granite sculpture, was installed adjacent to the Bahnhofstrasse, Zürich in 1983. As is often the case with modern art in public places, the installation generated some controversy. Endlose Treppe (1991), a sculpture made of North American granite, was designed for the philosopher Ernst Bloch.

In 1982 he was awarded the Sir Misha Black award and was added to the College of Medallists]

Teaching

In 1944, Bill became a professor at the school of arts in Zurich. In 1953, alongside Inge Aicher-Scholl and Otl Aicher, he founded the Ulm School of Design (German: Hochschule für Gestaltung - HfG Ulm) in Ulm, Germany, a design school initially created in the tradition of the Bauhaus and which later developed a new design education approach integrating art and science. The school was notable for its inclusion of semiotics as a field of study. The school closed in 1968. Faculty and students included Tomás Maldonado, Otl Aicher, Josef Albers, Johannes Itten, John Lottes, Walter Zeischegg, and Peter Seitz.

Bill was a professor at the Hochschule für bildende Künste Hamburg and chair of Environmental Design from 1967 to 1974. In 1973 he became an associate member of the Royal Flemish Academy of Science, Literature and Fine Art in Brussels. In 1976 he became a member of the Berlin Academy of Arts. In addition to his teaching, Bill wrote and lectured extensively on art, architecture and design, appearing at symposiums and design conferences around the world. In particular, he wrote books about Le Corbusier, Kandinsky, Ludwig Mies van der Rohe, and artistic theory.

Exhibitions

Bill executed many public sculptures in Europe and exhibited extensively in galleries and museums, including a retrospective at the Kunsthaus Zürich in 1968-69. He had his first exhibition in the United States at the Staempfli Gallery in New York City in 1963 and was the subject of retrospectives at the Albright-Knox Art Gallery in Buffalo and the Los Angeles County Museum of Art in 1974, and the Solomon R. Guggenheim Museum in New York City in 1988. He participated in documentas I (1955), II (1959), and III (1964). In 1993, he received the Praemium Imperiale for sculpture, awarded by the Emperor of Japan.

Bill is credited with having been "the spark that lighted the fuse of Brazil's artistic revolution" and the country's "movement toward concrete art with his 1951 retrospective at the São Paulo Museum of Modern Art. He strongly influenced Brazilian artists like Franz Weissmann.


In de vroege jaren 50 ontwierp Max Bill een klok voor het Duitse Junghans. Max Bill was afkomstig uit de Bauhaus-school en hij stond bovenal bekend als architect, maar ook was bij begenadigd schilder, beeldhouwer en ontwerper.

De Bauhaus-stroming staat natuurlijk bekend om de heldere lijnen, de doelgerichtheid en de zorgvuldig gekozen verhoudingen. De eerste klok die Max Bill ontwierp was hier geen uitzondering op: een wijzerplaat met eenvoudige markeringen en kaarsrechte wijzers, gevat in een strakke stalen behuizing. Na deze serie klokken volgde een horlogecollectie, welke eveneens de ‘form follows function’-benadering van de klokken volgde. Bovendien werd het ontwerp zó baanbrekend bevonden dat de klok een plaats kreeg in de permanente collectie van het Museum Of Modern Art New York.

Volg ons op Social Media