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Biografie

 

Mark Kostabi was born in Los Angeles on November 27, 1960, to Estonian immigrants Kaljo and Rita Kostabi.[1][2] He was raised in Whittier, California and studied drawing and painting at California State University, Fullerton.[3] In 1982 he moved to New York and by 1984 he became a prominent figure of the East Village art scene,[4] winning the "Proliferation Prize" from the East Village Eye for being in more art exhibitions than any other New York artist.

Artwork

Kostabi has designed album covers for Guns 'N' Roses (Use Your Illusion) and The Ramones (¡Adios Amigos!), Seether Holding Onto Strings Better Left to Fray,[5] Jimmy Scott (Holding Back The Years), Glint(Sound in Silence), RK: Roman Klun (Kingsway), Psychotica (Espina) and numerous products including a Swatch watch,[2] Alessi vases, Rosenthal espresso cups, Ritzenhoff milk glasses, and a Giro d'Italia pink jersey.

Kostabi is also known for his many collaborations with other artists including Enzo Cucchi, Arman, Howard Finster, Tadanori Yokoo, Enrico Baj and Paul Kostabi.

Retrospective exhibitions of Kostabi's paintings have been held at the Mitsukoshi Museum in Tokyo (1992) and the Art Museum of Estonia in Tallinn (1998). Kostabi's work is in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Guggenheim Museum, the Brooklyn Museum, the National Gallery in Washington D.C., the Museum of Contemporary Art, Los Angeles the Corcoran Gallery of Art, the Yale University Art Gallery the National Gallery of Modern Art in Rome and the Groninger Museum in the Netherlands.

His work was published on the cover of the book East Village '85 published by Pelham Press and his paintings were included prominently in numerous East Village shows in museums and galleries internationally. Matteo Editore published a book on Kostabi titledMark Kostabi and the East Village scene 1983–1987 written by Baird Jones.[6] During the mid-1980s he developed a media persona by publishing self-interviews which commented on the commodification of contemporary art. In 1986 Kostabi designed the Bloomingdales shopping bag. By 1987 his works were widely exhibited in New York galleries and throughout the United States, in Japan, Germany and Australia.

In 1988, inspiring extensive international press coverage, he founded Kostabi World, his large New York studio known for openly employing numerous painting assistants and idea people.[3] In 1989 he made a homophobic statement in the magazine Vanity Fair saying, "These museum curators, that are for the most part homosexual, have controlled the art world in the eighties. Now they’re all dying of AIDS, and although I think it’s sad, I know it’s for the better. Because homosexual men are not actively participating in the perpetuation of human life." The fallout form that statement led to conflict and protests by ACT UP in the early 90s. He has since apologised.[7] In 1996 he began dividing his time between New York and Rome and consequently his work's already strong presence in the Italian art scene became much more prominent. The influential Italian critic and curator Achille Bonito Oliva, included Kostabi in several major exhibitions including at the Galleria Nazionale d'Arte di Roma. The controversial critic, curator and TV personality, Vittorio Sgarbi, curated a 150 painting Kostabi show at the Chiostro del Bramante in Rome in 2006.

His permanent public works include a mural in Palazzo dei Priori in Arezzo, Italy, a large bronze sculpture in the central square of San Benedetto del Tronto, Italy, and a bronze portrait of Pope John Paul II in Velletri, Italy.

In Kostabi's works there is an extensive range of citation and self-citation, which are typically postmodern techniques

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